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Both the movie and the book are told from the perspective of the protagonist main character, called '''The Narrator''' in the movie script. The Narrator is meant to represent the average "Everyman" of modern society. When the story begins, he is a recall coordinator for a major car company (shown to be named "Federated Motor Corporation" in the film). The Narrator starts out suffering from chronic insomnia, causing him to slog through life in a flat, half-asleep state of depression. He finds temporary relief by attending various support groups under false pretenses; but when this stops working (thanks to [[Marla Singer]]) his insomnia returns with a vengeance. It's shortly after this when he "meets" his split personality in the form of [[Tyler Durden]], and his average, boring life is turned upside down. |
Both the movie and the book are told from the perspective of the protagonist main character, called '''The Narrator''' in the movie script. The Narrator is meant to represent the average "Everyman" of modern society. When the story begins, he is a recall coordinator for a major car company (shown to be named "Federated Motor Corporation" in the film). The Narrator starts out suffering from chronic insomnia, causing him to slog through life in a flat, half-asleep state of depression. He finds temporary relief by attending various support groups under false pretenses; but when this stops working (thanks to [[Marla Singer]]) his insomnia returns with a vengeance. It's shortly after this when he "meets" his split personality in the form of [[Tyler Durden]], and his average, boring life is turned upside down. |
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| ⚫ | There appear to be homosexual undertones in the novel which manifest as the Narrator feeling a desire for Tyler Durden. It's unclear whether this indicates actual homosexual tendencies in the Narrator |
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Throughout the story, the Narrator is subject to Tyler Durden's attempts to force him to hit bottom, and therefore reach a state of enlightenment. However, the Narrator is slow to grasp Tyler's lessons. At one point he convinces himself that he has indeed become "enlightened," only to be frustrated by Tyler telling him that he is self-deluded and isn't even trying to hit bottom. It eventually becomes apparent that his feelings for Marla are what keeps him from progressing further. He doesn't want to embrace Tyler's goals or destroy society; he just wants Marla. At the end of the story, Tyler makes it clear to the Narrator that he plans to kill Marla. This is the final straw for the Narrator, who opts to kill himself and destroy Tyler in the process. Tyler (apparently) dies, but the Narrator survives because the bullet merely went through his cheek. Marla then arrives (having been brought there by members of Project Mayhem). The movie version of the story ends with Marla and the Narrator hand in hand, silently watching buildings explode as Tyler's plan takes effect. This is in sharp contrast to the end of the novel. In that version of the story, the building explosions fail. The Narrator then shoots himself right in front of Marla. And at the end he winds up locked in a mental ward, wrongly assuming that the gunshot killed him and he's in Heaven. |
Throughout the story, the Narrator is subject to Tyler Durden's attempts to force him to hit bottom, and therefore reach a state of enlightenment. However, the Narrator is slow to grasp Tyler's lessons. At one point he convinces himself that he has indeed become "enlightened," only to be frustrated by Tyler telling him that he is self-deluded and isn't even trying to hit bottom. It eventually becomes apparent that his feelings for Marla are what keeps him from progressing further. He doesn't want to embrace Tyler's goals or destroy society; he just wants Marla. At the end of the story, Tyler makes it clear to the Narrator that he plans to kill Marla. This is the final straw for the Narrator, who opts to kill himself and destroy Tyler in the process. Tyler (apparently) dies, but the Narrator survives because the bullet merely went through his cheek. Marla then arrives (having been brought there by members of Project Mayhem). The movie version of the story ends with Marla and the Narrator hand in hand, silently watching buildings explode as Tyler's plan takes effect. This is in sharp contrast to the end of the novel. In that version of the story, the building explosions fail. The Narrator then shoots himself right in front of Marla. And at the end he winds up locked in a mental ward, wrongly assuming that the gunshot killed him and he's in Heaven. |
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*Some copies of the film have subtitles which refer to the Narrator as "Rupert." |
*Some copies of the film have subtitles which refer to the Narrator as "Rupert." |
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*In January 2014, a collection of props from the film were sold at online auction (the ended auction is still viewable [http://www.icollector.com/Fight-Club_i18288080 here]). Among the props were two Federated Motor Company paychecks issued to "Jack Moore." |
*In January 2014, a collection of props from the film were sold at online auction (the ended auction is still viewable [http://www.icollector.com/Fight-Club_i18288080 here]). Among the props were two Federated Motor Company paychecks issued to "Jack Moore." |
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| + | ==Homosexuality== |
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| ⚫ | There appear to be homosexual undertones in the novel which manifest as the Narrator feeling a desire for Tyler Durden. It's unclear whether this indicates actual homosexual tendencies in the Narrator (or bisexual, considering his feelings for Marla). The feelings may simply be a manifestation of the Narrator's desire to unify his split personalities back into one. Since the Narrator spends most of the story unaware of Tyler's imaginary nature, a desire to unify might bubble to the surface as a homosexual longing for Tyler. |
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==Memorable Quotes== |
==Memorable Quotes== |
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Revision as of 08:30, 28 March 2014
Both the movie and the book are told from the perspective of the protagonist main character, called The Narrator in the movie script. The Narrator is meant to represent the average "Everyman" of modern society. When the story begins, he is a recall coordinator for a major car company (shown to be named "Federated Motor Corporation" in the film). The Narrator starts out suffering from chronic insomnia, causing him to slog through life in a flat, half-asleep state of depression. He finds temporary relief by attending various support groups under false pretenses; but when this stops working (thanks to Marla Singer) his insomnia returns with a vengeance. It's shortly after this when he "meets" his split personality in the form of Tyler Durden, and his average, boring life is turned upside down.
Throughout the story, the Narrator is subject to Tyler Durden's attempts to force him to hit bottom, and therefore reach a state of enlightenment. However, the Narrator is slow to grasp Tyler's lessons. At one point he convinces himself that he has indeed become "enlightened," only to be frustrated by Tyler telling him that he is self-deluded and isn't even trying to hit bottom. It eventually becomes apparent that his feelings for Marla are what keeps him from progressing further. He doesn't want to embrace Tyler's goals or destroy society; he just wants Marla. At the end of the story, Tyler makes it clear to the Narrator that he plans to kill Marla. This is the final straw for the Narrator, who opts to kill himself and destroy Tyler in the process. Tyler (apparently) dies, but the Narrator survives because the bullet merely went through his cheek. Marla then arrives (having been brought there by members of Project Mayhem). The movie version of the story ends with Marla and the Narrator hand in hand, silently watching buildings explode as Tyler's plan takes effect. This is in sharp contrast to the end of the novel. In that version of the story, the building explosions fail. The Narrator then shoots himself right in front of Marla. And at the end he winds up locked in a mental ward, wrongly assuming that the gunshot killed him and he's in Heaven.
The Narrator's Name
The name of the Narrator is never actually revealed in either the novel or the film, but is often cited as being either "Jack" or "Joe." This is due to the Narrator's reading of a series of Reader's Digest articles in which human organs describe their functions to the reader in the first person, referring to themselves as Joe's <name of organ> in the novel, and Jack's <name of organ> in the film ("I am Jack's colon," etc). The Narrator later begins to describe his own emotions using the same format.
- Book passage example: "I am Joe's Blood-Boiling rage."
- Film line example: "I am Jack's smirking revenge."
Support Group Aliases
In the film, The Narrator uses several false names when he participates in the support groups.
Partial list of aliases:
- Cornelius - used in the testicular cancer group where he met Bob. Note: As of Feb 2014, this appears to be the narrator's real name (see next section).
- Rupert - used in the cancer group frequented by Chloe.
- Lenny
- Travis
- Mr. Taylor - used when confronted by Marla Singer.
Fight Club Sequel
In a July 2013 interview about the upcoming Fight Club 2 graphic novel, Chuck Palahniuk specifially referred to The Narrator as "Jack":
"Nowadays, Tyler is telling the story, lurking inside Jack, and ready to launch a comeback. Jack is oblivious. Marla is bored. Their marriage has run aground on the rocky coastline of middle-aged suburban boredom. It's only when their little boy disappears, kidnapped by Tyler, that Jack is dragged back into the world of Mayhem."
The Narrator is also directly called "Jack" in some places (but not others) on Palahniuk's official website. However, in a February 2014 Hustler interview, Palahniuk stated:
"The sequel will be told from the-- at first-- submerged perspective of Tyler Durden as he observes the day-to-day tedium of the narrator's life. Because 20th Century-Fox created the convention of calling the protagonist Jack, I'm calling him Cornelius."
This appears to be a reference to the fact that the Narrator was often referred to as "Jack" in plot synopses appearing on the back of Fight Club DVD's, a designation which was by no means endorsed by David Fincher or Chuck Palahniuk. Based on Palahniuk's words, it now appears that The Narrator's real name is officially Cornelius, the name he used at his first support group. If so, this entry will be updated accordingly once the sequel is released.
Trivia
- Some copies of the film have subtitles which refer to the Narrator as "Rupert."
- In January 2014, a collection of props from the film were sold at online auction (the ended auction is still viewable here). Among the props were two Federated Motor Company paychecks issued to "Jack Moore."
Homosexuality
There appear to be homosexual undertones in the novel which manifest as the Narrator feeling a desire for Tyler Durden. It's unclear whether this indicates actual homosexual tendencies in the Narrator (or bisexual, considering his feelings for Marla). The feelings may simply be a manifestation of the Narrator's desire to unify his split personalities back into one. Since the Narrator spends most of the story unaware of Tyler's imaginary nature, a desire to unify might bubble to the surface as a homosexual longing for Tyler.
Memorable Quotes
- "This is your life and it's ending one minute at a time."
- "On a long enough timeline, the survival rate for everyone drops to zero."
- "Tyler sold his soap to department stores at $20 a bar. Lord knows what they charged. It was beautiful. We were selling rich women their own fat asses back to them."
- (to Tyler, while looking at a Gucci ad on the bus) "Is that what a man looks like?"
- (while being embraced by Bob at the testicular cancer therapy session) "Strangers with this kind of honesty make me go a big rubbery one."
- "A guy who came to Fight Club for the first time, his ass was a wad of cookie dough. After a few weeks, he was carved out of wood."
- "I ran. I ran until my muscles burned and my veins pumped battery acid. Then I ran some more."
- "If you wake up at a different time in a different place, could you wake up as a different person?"
- "And then, something happened. I let go. Lost in oblivion. Dark and silent and complete. I found freedom. Losing all hope was freedom."